This is the
contents page for the 284th issue of ‘Q’ magazine. Unlike the ‘Kerrang!’ contents page, this one
has a two page spread, and tells the audience what they can expect to read
about when they purchase this magazine. As with all ‘Q’ magazines, they keep to
a certain house style, which means that the layout of the page will almost
always be the same style as the other ones. As with other ‘Q’ contents pages,
it will have the same colours and font style across the page. The writing will
always be on the outside of the page rather than the inside. The colour scheme
will be the same or similar as the front cover, with the red square and the
white ‘Q’ inside it.
The main
article is clear as it takes up the most space out of all of the other
articles, and has the largest and boldest font. It also has the largest picture
and is in the centre of the page. This means that the audience will look
straight at the image, and therefore are more likely to read about it. The
editor of the magazine chose to put the most famous band, ‘Gorillaz’, as the
largest image, as it would have drawn in the largest audience, therefore making
them more profit.
The other
articles are presented in columns down the side of the two pages, each having
numbers next to them to allow the reader to easily find the page where that
specific article is. The more famous/well known artists or celebrities have
pictures next to the description to give the audience a visual image of the
thing that they will be reading about. An example of this is the ‘Wayne Rooney
VS Kelly Jones interview, which has a picture underneath it. This tells readers
that this article will be about football, without them having to turn to the
specific page.
There are no
audience contributions on the contents page, such as photos or e-mails.
However, the audience would have influenced what are the main stories/articles
in the magazine, due to how many records of the certain bands/singers were
sold. The more famous bands/singers tend to be earlier on in the magazine, and
have bigger pictures, in this case, ‘Gorillaz’. This shows that although they
believe they are passive, the audience actually has an active role into who
gets put into the magazine.
This
contents page doesn’t have an editor’s note, unlike the ‘Kerrang!’ magazine
that I also analysed. However, as is common with music magazines such as ‘Q’ or
‘Kerrang!’, it does have a thumbnail of the front cover in the top right corner
of the page.
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